Public Enemies are Unispiring Screenplays
Recently, studio releases have focused on the spectacle. Bigger budgets, bigger names, bigger guns, bigger explosions, bigger screens, and longer run times. If the movie doesn’t clock in at 2 ½ hours, don’t bother making it. The recently unveiled Transformers: Revenge of the Fallen (with 100% more racism than previous Michael Bay films!) clocked in at 2 ½ hours. Even the best studio summer movie, Star Trek, ran just over 2 hours (127 minutes) and Terminator Salvation clocked in 5 minutes short at 115. Studios set up summer movies as an event – you anticipate it, you plan a social outing far in advance, buy tickets early, and arrive at least 30 minutes early if you want a seat. These movies are supposed to change your life, and you better treat them as such. The same goes for the Michael Mann movie starring Christian Bale and Johnny Depp, Public Enemies, clocks in at 2 ½ hours. The based-on-a-true-story depression era gangster film subscribes to the event movie recipe, with a slight tweak of being aimed at adults rather then the coveted teenage demographic. But, like most event movies, Public Enemies forgot something vital – a story. You can only clock in at 2 ½ hours if you have a story that can carry you 2 ½ hours. This concept is something we all learn when you take your first creative writing class, and reiterated in every other creative writing class afterwards, if you only have enough material for 7 pages, you’re only writing 7 pages. If you stretch those 7 pages into 21 pages, prepare to meet the red pen.
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